PRATT MANHATTAN GALLERY PRESENTS FIRST AMERICAN EXHIBITION TO
EXPLORE WAYS OF RETHINKING FASHION PRACTICES
Exhibition Deepens Understanding of Sustainability within the Fashion
System
"Ethics + Aesthetics = Sustainable Fashion"
November 20, 2009 - February 20, 2010
Pratt Manhattan Gallery
144 West 14th Street, 2nd Floor
Gallery Hours: Tuesday-Saturday 11 a.m. to 6 p.m.
Public Reception: 6-8 p.m. Thursday, November 19
Pratt Manhattan Gallery will present "Ethics + Aesthetics = Sustainable
Fashion," the first American exhibition to investigate the sustainable
practices of American fashion designers, many of whom are based in New
York City. The exhibition will run from November 20, 2009 through
February 20, 2010 and will be celebrated with an opening reception on
Thursday, November 19 from 6-8 PM. The exhibition and opening reception
are free and open to the public.
Ethics + Aesthetics" is guest curated by Francesca Granata and Sarah
Scaturro. Granata is a fashion theorist and independent curator who is
completing her Ph.D. in fashion history and theory at Central Saint
Martins College of Art and Design, London. She also lectures at Parsons
The New School for Design. Scaturro is a textile conservator at the
Cooper-Hewitt National Design Museum and adjunct instructor at the
Fashion Institute of Technology.
Granata and Scaturro conceived of "Ethics + Aesthetics" as a way of
building on established sustainable practices of using recycled,
renewable, and organic fibers and the employment of fair labor, while
deepening the public's understanding of what constitutes sustainability
within the fashion system. "While the concepts of recycling and using
organic materials are quite familiar in fashion, we are seeking to
broaden the definition of what constitutes sustainable fashion by
exploring ideas such as modularity, minimalism, and memory," said the
curators.
The curators have organized the exhibition around the themes of "Reduce,
Revalue, and Rethink" that reference the traditional ecological mantra of
"Recycle, Reuse, Reduce" while acknowledging the importance of aesthetics
within fashion design.
"Reduce" investigates how designers employ minimalist design as well as
innovative materials and pattern-making to promote garment versatility
and longevity through modular and reversible garments that employ
streamlined and multi-functional design. Among the designers who most
explicitly tackle these issues are SANS, a fashion company run by Lika
Volkova and Alessandro DeVito that is known for its sculptural and
modular silhouettes; Uluru, a sustainable clothing line by Caroline
Priebe that is inspired by innovative construction; Loomstate, a company
founded by Rogan Gregory and Scott Mackinlay Hahn that utilizes certified
organic cotton in its designs; and Bodkin, a sustainable women's
collection by Eviana Hartman that comprises modern, smart design.
"Revalue" underlines the importance of creating an emotional engagement
with the wearer by focusing on the materiality of clothes and their
ability to retain memory and history. Upcycling, wherein old clothing is
recycled in such as way as to add value, and handcrafting, in which the
hand of the maker is
visible, are two emerging areas of sustainable fashion that suggest ways
in which garments can become less disposable. Designers who explore this
area are 2009 Council of Fashion Designers of America/Vogue Fashion Fund
finalist Alabama Chanin, a lifestyle company that focuses on creating
handmade products through a combination of new, organic, and recycled
materials; Susan Cianciolo, an independent fashion designer known for her
artistry, handcrafting, and use of cherished vintage textiles; and SUNO,
a workshop-driven line by Max Osterweis that produces colorful garments,
many from one-of-a-kind vintage African textiles.
"Rethink" questions the fashion cycle and its dependence on fast and
constant change by suggesting a paradigm shift in the way we think about
fashion. Artists such as Kelly Cobb, Tiprin Follett, Zo Sheehan Saldaa,
and Andrea Zittel, as well as the fashion line Slow and Steady Wins the
Race, promote a slower fashion tempo by suggesting alternative ways to
produce and consume fashion. Their practice fosters the creation of
meaningful networks and relations through clothing as well as challenging
the seasonality of the fashion trade.
The full color catalog is made possible by a generous grant from the
Coby Foundation, Ltd., a New York-based organization that funds projects
in the textile and needle arts fields. The majority of the Coby
Foundation's support goes to exhibitions and education programs that
combine excellent scholarship and effective interpretation. For more
information please visit http://www.cobyfoundation.org/.
The exhibition design was completed by current graduate interior design
students as part of the Exhibition Design Intensive course led by
Professor Jon Otis.
For more information, please call 212-647-7778 or email
exhibits@pratt.edu. More information on this and all gallery exhibitions
and events is available at www.pratt.edu/exhibitions. Follow Pratt
Manhattan Gallery on Facebook by searching "Pratt Manhattan Gallery" and
follow Pratt Exhibitions on Twitter at "PrattGallery."
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